Media
8 times 8
stories.series.systems in mythology & art
21 Mar 2025

One of Eight Hanging Panels with the Eight Immortals and Eight Views in Canton
Late Qing dynasty or early Republican period
Silk, mounted in mother-of-pearl inlaid blackwood frame
H 175 x W 61.4 x D 3 cm
HKU.W.1996.1084 a-h
Gift of Dr T T Tsui, Tsui Art Foundation Ltd.
This panel shows three scenes: Lu Tung-pin, one of the eight immortals, together with a boy carrying a Guqin, butterflies and Mandarin ducks and the Datong temple in misty rain

Four Part Folding Screen with Eight Immortals and Animals
Late Qing dynasty or early Republican period
Carved decorations, wood
H 194 x W 43.5 cm
HKU.W.2004.1568 a-d
Detail of a folding screen with two of the eight immortals: Chung Li Quan (left) and Li Tie Kuai (right)

One of Eight Carvings with Figure Scenes
Late Qing dynasty or early Republican period
Wood
H 22.5 x W 34 cm
HKU.W.1990.0961 b
Wu Song fighting a Tiger on Jingyang Mountain

Eight–panel screen with paintings on marble
Late Qing dynasty
wood and marble
H 112 x W 16 x D 2.22 cm
HKU.W.2004.1495
Gift of Dr and Mrs. Robert Fung

Boulder (vermilion)
Adrian FALKNER (*1979 in Basel, Switzerland)
2024
Acrylic, spray, paint, chalk, india ink, sewn linen
H 170 x W 160 cm

Meta-3
YAU Wing Fung (*1990 in Hong Kong)
2024
Ink and colour on paper
set of 8
H 89 x W 278 cm (H 44.5 x W 69.5 cm each)

One of Eight Hanging Panels with the Eight Immortals and Eight Views in Canton
Late Qing dynasty or early Republican period
Silk, mounted in mother-of-pearl inlaid blackwood frame
H 175 x W 61.4 x D 3 cm
HKU.W.1996.1084 a-h
Gift of Dr T T Tsui, Tsui Art Foundation Ltd.
This panel shows three scenes: Lu Tung-pin, one of the eight immortals, together with a boy carrying a Guqin, butterflies and Mandarin ducks and the Datong temple in misty rain
- 1 / 7
- 2 / 7
- 3 / 7
- 4 / 7
- 5 / 7
- 6 / 7
- 7 / 7
The University Museum and Art Gallery (UMAG), The University of Hong Kong (HKU), is honoured to present 8 times 8. stories.series.systems in mythology & art. The exhibition highlights the crucial role of the number 8 in mythology and art. In Asian art this can be seen, for example, in the 8 trigrams of the I Ching, the 8 Immortals, the 8 Buddhist symbols or Auspicious objects. These interrelated elements are often depicted as a group of 8 in the form of a serial narrative, which are supplemented by motifs of pairs, figures or scenes from stories, landscapes, plants, flowers, animals, ornaments and symbols.
The opening of the exhibition was held at UMAG on March 20. Officiating guests included Associate Vice-President of Cultural and External Affairs Professor Derek Collins, UMAG Director Dr Florian Knothe and UMAG Exhibition Curator Dr Harald Peter Kraemer.
Several objects – each consisting of eight sections – were selected from the UMAG collection to demonstrate the diversity and richness of serial narratives in Chinese art and craftsmanship. In addition to the narrative structure, these eight-part objects can be understood as components of superordinate systems. In the microcosm of their diverse details, they refer to the macrocosm of mythology, which results in a network of relationships that continuously refer back to one another.
This dynamic interplay between individual elements within a larger whole is also evident in the contemporary artworks of YAU Wing Fung (*1990) and Daphne Alexis HO (*1975) from Hong Kong, YU Hee (*1967) from Korea, Adrian FALKNER (*1979) from Switzerland and Klaus MERKEL (*1953) and Arvid BOECKER (*1964) from Germany. However, in their work this interaction unfolds through form and colour, alienation and manipulation, as well as self-referential quotations and artistic dialogue.
The six contemporary artists are juxtaposed with the traditional works of applied art so as to demonstrate that serial and systemic narratives are still used today as artistic strategies. The interplay between the individual symbols and the overarching programme mirrors the relationship between contemporary art and traditional arts and crafts. Together, they complement each other in an inspiring way, inviting the visitors to uncover hidden meanings and deeper connections.
For more images and exhibit captions, please click here.
Details of the Exhibition
Period: March 21, 2025 (Friday) to June 8, 2025 (Sunday)
Opening Hours:
9:30 am–6 pm (Tuesday to Saturday)
1 pm–6 pm (Sunday)
Closed on Mondays, University and Public Holidays
Venue: 1/F, T. T. Tsui Building, UMAG, HKU, 90 Bonham Road, Pokfulam, Hong Kong
Tel/Email: (852) 3917 5500 (General Enquiry) / museum@hku.hk
Admission: Free admission In light of the HKU Tourist Flow Management Scheme, please enter via the ground floor of the Fung Ping Shan Building
Website: https://umag.hku.hk/exhibition/8-times-8-stories-series-systems-in-mythology-and-art/
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Facebook: http://bit.ly/umag_facebook
Instagram: @umag_hku, #UMAG, #8times8, #EightImmortals, #ChineseArt, #ChineseMythology
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LinkedIn: http://bit.ly/umag_linkedin
About UMAG
UMAG was founded in 1953 as the Fung Ping Shan Museum. It was originally established as the Fung Ping Shan Library in 1932 in honour of its benefactor. For more information on UMAG, please click here.
Media Enquiries
Tel: (852) 3917 5513, Email: musnews@hku.hk